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Theatre: Collaborative Acts (4th Edition)
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Updated in its 4th edition Theatre: Collaborative Actsstimulates creative thinking and discussions of artistic, social, and ethical questions through its interwoven themes of theatre as culture, collaboration, spatial art, and a fusion of the past and present. It emphasizes the diversity of purpose and effect of theatre, and the collaborative nature of the theatrical process.
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Product details
Paperback: 384 pages
Publisher: Pearson; 4 edition (January 18, 2012)
Language: English
ISBN-10: 020511802X
ISBN-13: 978-0205118021
Product Dimensions:
8.6 x 1 x 10.8 inches
Shipping Weight: 1.6 pounds (View shipping rates and policies)
Average Customer Review:
3.6 out of 5 stars
7 customer reviews
Amazon Best Sellers Rank:
#457,569 in Books (See Top 100 in Books)
This book had notes written with highlighter and pen throughout the last half it. It can easily be read with it, but if you are looking for something in a little better condition, I would not suggest renting this specific copy.
The book has some pages that were unattached, but the pages were still there.
Received promptly however a section of pages in the back was not attached to the book.
Has provided the necessary info needed for class! Thank you!!
Item as described.
Used and kept well
I'm currently teaching from this textbook, and I have to admit that I don't like it a great deal. (I didn't choose it.) While its slim size makes it more portable than other books on the subject, I'm afraid that I'm finding the contents almost as slim as the volume itself. It relies on rather dated play examples (citing Caryl Churchill's 1982 "Top Girls" as an example of the changing roles of women in society feels hopelessly behind-the-times,) the prose runs towards purple rather than clear-for-the-non-theatre-major student, and it often seems that the authors are more focused on expressing their opinions than in laying out facts. At the same time, it feels that there's a lack of analysis--examples are tossed out without explanation, seeming to expect that the reader will know the background of, say, "Cat on a Hot Tin Roof" that made the casting of James Earl Jones as Big Daddy not only a matter of color-blind casting. The organization of each chapter is also a bit erratic, ricocheting from one area to another without clarifying connections. It's not the worst textbook I've ever used (I hold that for the "new math" textbook I had in college that didn't make much sense...ultimately because it turned out that it had been sent out with typographical errors...in the answer section,) but I would prefer not to use it again.
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